Antique of the month - George III
Sterling Silver Teapot, 'silver shaped', bright cut decoration, Sheffield (small
ware mark), 1797
  My
antique of the month for February is a magnificent George III Teapot, made in
Sheffield in 1797. An unusual feature of this wonderful Teapot, is that, as part
of its hallmark, it has a 'small ware' mark of the Sheffield Crown and the date
letter 'X' in a single stamp. This is very unusual, as the marks normally appear
separately.
The Teapot is of a straight sided 'shaped' design,
referred to as 'silver shaped'. It has the maker's initials 'TL' and could
possibly have been made by Thomas Law of Sheffield.
This truly stunning Teapot has some charming Bright Cut decoration to the
body. In the centre of both sides of the Teapot are blank oval 'Bright Cut'
cartouches. These are elegantly surrounded by swags of foliage and floral
decoration.
More details of this item and other tea related antiques can be found by
visiting my web site at www.TeaAntiques.com.
 Jane Austen, the famous young lady novelist is remembered in a permanent
exhibition in Bath, England. Jane Austen, born in 1775 had strong connections
with Bath, some of her life there was not happy for her, but gave her much
inspiration for a few of her novels.
Born in the Hampshire village of Steventon, Jane grew up and loved her
rural life in the Hampshire countryside. She was the second daughter and the
seventh child born to George and Cassandra Austen. George was a clergyman and a
great collector of books, collecting not just classical works but contemporary
works that had just been published. This must have inspired the young Jane
Austen in her literary writings. Despite her mother Cassandra having
aristocratic relations, the Austen family were not wealthy. Their third son,
Edward, was allowed to be adopted by a wealthy couple, Mr and Mrs Knight, and he
was to later
inherited their fortune.
 Jane had carried out her writings in almost secrecy. She had no desire to
have people know that she was writing fictional novels and so kept her work
hidden. Her first works were initially rejected by the publishers, which must have been a
great disappointment to her, but did not deter her from writing. Indeed, during
most of her life time she did not receive the acclaim as a famous writer in the
way she is now regarded.
During her early years, Jane with her family visited relations in Bath and
would have enjoyed partaking in the social scene and activities there.
Activities such as grand
balls in the Assembly Rooms, tea and games in the Pump Room and parading along
the walks or in the pleasure gardens. Here Jane could see the whimsical nature
of fashion and society. Bath was, in the eighteenth century, the centre for the
most fashionable in society, a place to be seen and a place to secure a
marriage, maybe?
After her father retired, he and Mrs Austen decided to retire to live in
Bath. Jane was horrified at this news, devoted to the peace of her Hampshire
home. It was obvious that she was not happy with life in Bath as her novel
writing dried up. Bath had been a place to visit for short periods, but to live
there she felt confined and yearned for the country living once more. Jane was
to live in several addresses in Bath, the first house to which the family
retired to in 1801 was No 4 Sydney Place, opposite the Sydney pleasure gardens.
This at least was a pleasant place to live, as Jane Austen recorded. However,
George Austen died shortly after retiring to Bath in 1805 and was buried there in
St Swithen's church. The death of Jane's father left her mother and the
family in very reduced financial circumstances. This forced them to move to
cheaper lodgings within the city.

The Austen's first moved out of Sydney Place to No 25 Gay Street, a few
doors away from what is now the Jane Austen centre, to which I took great
pleasure in visiting. They only remained in Gay Street for six months before moving
once again, this time to Trim Street, a narrow lane in the darker and cheaper
part of town. At this time, the family could not afford the social entertainment
that they may have enjoyed in former years. This time in Bath was not enjoyed by
Jane, but although she did not write any of her novels in this period, she did
gain a lot of useful ideas for later books, in which the society of Bath are
laid before us. Her novel 'Persuasion' is indeed set a great deal in Bath. The
heroine, Miss Anne Elliot is a reflection of Jane herself. Miss Anne is forced
to retrench to Bath with her family due to reduced family fortune, leaving behind
their country estate, let to an Admiral of the Navy. Like Jane, Miss Anne had a
dislike of Bath and the endless round of balls and social engagements.
Finally, in 1806 the
Austen family left Bath to take lodgings in Southampton,
Hampshire. Shortly after this, Edward, the son who had been adopted by the
Knights, and come into his inheritance was now a wealthy man. He provided Jane, her
mother and sister Cassandra with a cottage on his estate in the village Chawton,
Hampshire. This must have delighted Jane to be back in her beloved Hampshire
countryside, and she wrote her final few novels there.
Jane Austen wrote a total of six novels 'Sense and Sensibility'; 'Northanger abbey';
'Pride and Prejudice'; 'Mansfield Park'; 'Persuasion' and 'Emma'. Each of these
works are extremely popular today and provide excellent romantic stories
for readers and film makers. Many films and television series have been made
based on Jane's novels and continue to be made thrilling their audiences.
Jane died on the 18th July, 1817 in the nearby city of Winchester, where she
had been moved during her illness to be close at hand to her doctor. She is
buried there in the Cathedral.
 The
Jane Austen centre in Bath, provides us with an insight into Jane's life in the
city and the life that was going on around her at that time, as
illustrated in some of her novels. The centre is housed in No 40 Gay Street, in
a Georgian town house, similar to the type that Jane would have lived in during
her time at No25 Gay Street. The visitor is greeted by a board outside
advertising the centre, by which stands a manikin dressed in a costume form the
period of Jane Austen. The exhibition covers two floors of the house and a
gallery extension out the back.
 The first link with Jane Austen and tea is in a room where there is set a
small Georgian tripod table on which sits a teacup and saucer (not of the
correct period) and on the side, a rectangular 'London' shaped teapot, decorated
in underglaze blue and with fine gilt decoration, c1830. This shows that tea
drinking in the time of Jane Austen was an important social event. Further, this is apparent from a display board showing a scene from a recent BBC film production of 'Persuasion', in which Anne Elliot is seen taking tea,
sheltering from the rain storm in a tea house in Milsom Street. This shows the
elegant fashion of the ladies and the way in which tea provided an occasion to
sit and gossip! Also, there is a scene when Miss Anne Elliot and her sister Mary
visit the Musgroves in the 'big' house, here there are conversations
between Anne and other members of the Musgrove family relating to her Sister
Mary's intuitive illness and meddling. These conversations take place whilst all
sipping tea from blue and white china cups. 'Persuasion' has many scenes set in Bath and today we can still visit
and enjoy the venues to which she refers in her novels, the Georgian Pump rooms
(where tea can still be enjoyed), the Assembly rooms where Jane writes about
balls, shopping in the fashionable little shops in Milsom Street and of
course many of the houses where her characters lived or stayed.

The exhibition, although not vast, does draw the visitor into the life and
times of Jane Austen. There are small sets that show the elegant, but rather
simple fashions of the period - the ladies with their high bodice and pretty
bonnets, the gentleman with their waistcoats and knee length thigh britches. In
this set, with a table laid with a writing slope, stands a manikin dressed in much the same way as
one might imagine the handsome and dashing 'Mr Darcey' to be dressed in the
novel 'Pride and Prejudice'. The writing slope is similar to one given to the
young Jane Austen by her father as an encouragement for her in her writing.

A reconstruction of a haberdashery's shop has a blue and white early
nineteenth century set of cups and saucers for sale in the window, together with
some silver teaspoons and a china teapot. Such tea wares may well have been
found for sale in such shops of the period.
There is an informative introductory talk given by one of the members of staff,
introducing the history of Jane Austen, her family and her life and time in
Bath. Also, a short video takes you round some of the locations known to Jane in
the city and houses in which she once lived.

If in Bath, it a is a very good exhibition to visit and enjoy, giving an insight into the famous Jane Austen's life and works.
After a visit here, the visitor is
then better equipped to wander round the town in the footsteps of Jane herself.
Jane
Austen Centre
40, Gay Street
Bath
BA1 2NT
England
Tel: +44 (0) 1225 443000
Click here for
Local Map
Map courtesy of www.streetmap.co.uk
In writing an article about Jane Austen, I thought about the type of teas and
tea wares that she would have been familiar with during her life time.
Born in 1774, the daughter of a Clergyman, she was born into a country
rectory in the village of Steventon. Although the Austen's were not rich, Jane's
mother Cassandra did have, and frequently boasted, of her aristocratic relations
on her side of the family.
Therefore, I can see that she would have been a proud
lady when it came to serving tea for guests at the rectory. On a recent visit to Steventon, I discovered the church in which Jane's father was the clergyman. A
quaint little church in a very quiet Hampshire country setting. The actual
rectory in which Jane was born has long since been demolished. All that remains
on the site of the house is the water pump which would have been in the back
garden of the house, supplying them with the much needed water, especially for
their tea! The pump can just be seen below a protective wooden platform covering.
The
type of tea wares that would more than likely had been available to them, are as I
have gathered together here from my own personal collection. They may have had a silver teapot.
At this period
this could have been of the silver shaped pot, straight sided with bright cut
decoration, (similar to my antique of the month). The teapot may have stood on a teapot stand to match the teapot.
They might have had a silver plated tea urn, used to keep the teapot filled with
hot water during tea. This one has a classical vase shape, standing on a square
base with four silver ball feet.
The
china that they used may have been like these Derby tea bowls and saucer, with
their simple but very elegant gilt decoration. A few silver bright cut teaspoons
would have adorned the table, together with some sugar nips, caddy spoon and
mote spoon. A wooden two compartment tea caddy stands upon the table from which
Mrs Austen would blend and dispense the tea into the teapot.
 At this
date around the 1770s, tea would still be a rather formal event. There would be
little in the way of food served with tea. They may have had a pretty Chelsea
plate, which by now would be more than 10 years old, on which they would serve thinly sliced bread spread with rich creamy
butter. They may have baked some biscuits or rout cakes as they were then known.
Tea had yet to grow into the fancy cakes and sandwiches that we know and love
today.
Later,
Jane went to stay in Bath for six weeks in 1799. In Bath she would have enjoyed
the very cream of society and therefore would have taken tea at her engagements
with friends and relations, using the very latest fashion in tea wares. These
tea wares that she could have used at this period may have included wares from the
Chamberlains Worcester factory, such as this spiral fluted or 'shanked' tea
service, c1795-1800. The service decorated in simple but charming under glaze blue with
elegant applied gilt decoration, in this case with a 'birds eye' pattern. Like
the earlier silver teapot, this china teapot comes with its teapot stand to
match. The set would have included an oval milk jug, covered sugar box, cake and
bread and butter plate. The tea bowls and saucers are also of the new 'shanked'
or spiral fluted design. Tea in this period would have been served with little in the way of food, bread and butter would
still have been served, but maybe accompanied with a plain cake as well.
By the time Jane had moved into the house at Chawton in Hampshire,
(now open as a museum, which I hope to review later this year), together
with her mother and family, the tea wares she might have used could have been of
the latest blue transfer printed wares, such as this comprehensive set of blue
Spode china, c1810-20.
Tea was now cheaper and drunk by more and more people from all
societies. This service, illustrates the popular Chinese influence in decoration
of blue and white printed wares. They are decorated with Chinese
landscapes, with temples and Chinese figures. The oval teapot is quite large in size and
sits on its oval stand. There are now cups and saucers, the cups complete with
handles. The cups are of the
smooth curved shape, which have ear shaped handles. There are still no tea
plates to tea services from this period. There would however still be the two
large plates,
one for bread and butter, the other for cakes or maybe fruit tarts. The type of
cake the Austen's may have baked themselves would be a seed cake. This cake was
a popular cake in the Georgian period, eaten at breakfast as well as tea by the
middle and wealthy classes. Jam tarts may have been eaten too. Jams and preserves would
have been made by the country folk, the local hedgerows abundant with wild
fruits like Blackberries and Elderberries, ideal for preserves.
 Jane did not live to see the full afternoon tea that we now take for granted,
but tea to her would have been an occasion where she could enjoy using the
wonderful tea wares and listen to the gossip of the guests - maybe from which she
drew some inspiration for characters within her books.
Maps:
Jane's father's Church at Steventon, Hampshire -
click here
Site of Jane Austen's birthplace -
click here
Jane's house at Chawton -
click here
Maps courtesy of www.streetmap.co.uk
 One of the cakes that Jane Austen may well have enjoyed, and even made
herself, would have been be a rich seed cake. During the eighteenth and early
nineteenth centuries, seed cake was a great favourite in England and would have been
eaten warm for breakfast, or taken with tea in the afternoon. At breakfast, it
would probably have been taken spread with butter.
As part of my writings on Jane Austen, I thought that I would try out an
eighteenth century recipe for this much favoured Georgian cake that she herself
may have enjoyed. I discovered an
interesting book 'Food and cooking in the 18th century Britain-Histories and
Recipes' by Jennifer Stead. Published by English Heritage, in which a recipe for
seed cake is given.

The recipe in this book originates from 'Elizabeth Raffald: The
experienced English housekeeper'. She recommends beating the cake for 2
hours! Modern baking powder had not been invented, so the success of the cake
lies in its very careful technique. I made this cake using the recipe as given
and I am pleased to say that it turned out fine. The caraway seeds gave it a
most distinctive aroma when it was removed from the oven - very inviting it was
too. I certainly enjoyed a warm slice of this rich cake with my afternoon tea,
all in the course of duty you understand!
Should you wish to try cooking and enjoying the delights of eating an
eighteenth century cake the recipe is as follows:
Rich Seed Cake
- 8oz (225g) plain flour
- 1 tsp (5ml) grated nutmeg
- 1 tsp (5ml) ground cinnamon
- 1oz (25g) caraway seeds
- 8oz (225g) unsalted butter, softened
- 8oz (225g) caster sugar
- 4 eggs, separated, tepid
Line and grease an 8" (200mm) cake tin, that is 3"
(78mm) deep. Sift the flour and
spices into a bowl, and add the caraway seeds. In a large mixing bowl that is
slightly warm, cream the butter and sugar together thoroughly. In a warm jug, beat
the tepid yolks very well and add to the creamed mixture gradually, beating very
well after each addition. With a scrupulously clean beater, beat the egg whites
until stiff, but not dry. Using a metal spoon, fold the beaten egg whites into
the creamed mixture, about a fifth at a time; folding in some of the flour and
spices along with each addition of egg whites. Once all the egg whites and flour,
etc. have been added and folded in and the mixture appears completely
amalgamated, empty the cake mixture into the prepared tin. Smooth the top level
and bake it in the oven, on the middle shelf at gas mark 3, 325°F (170°C) for 1½
hours. Cool in the tin for 10 minutes before turning out. The cake will be
deliciously crisp on the outside, and inside will have a light crumbly texture.
I do hope that you enjoy it.
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